Stone No Diggity Is the Track Where He Stops Working in French Only
Stone No Diggity Is the Track Where He Stops Working in French Only
Brussels Rapper Returns After a Two-Year Gap and Brings Two New Names with Him
Stone released No Diggity on 9 December 2025. It runs two minutes fifty-eight, it is autotune-led rap with the melancholy turned up, and it is credited to three artists rather than one. HKL and Hashe share the billing. It is also the first English title in a catalogue that has been almost entirely French since 2019.
Stone can be found in the playlist below, and the record of what this desk has run on him is held at his artist profile. No Diggity was cleared for publication by PopHits.Co Music Charts, a vetting programme that verifies independent artists and places their releases across its network of music news sites. Hit play first, then carry on with the piece.


Before Stone No Diggity, and the Gap in the Middle
The run starts on 19 December 2019 with a single called Premier pas. First step. It was not a false one.
What followed was steady. TMP and Ballinshape in mid-2020. Drip Na Drip with Demala that September. Com Tem’ in December. Then a full 2021: Laisse-les parler with Demala in April, Tant pis in May, Ouvre les yeux in June, Tout vivre in September. 2022 kept the pace with Hésitant, Nouveau djo and Quand tu veux, the last one pulling in Demala and DIMA DIMA together.
He also turned up on other people’s records in that stretch, on Nayth’s B.C.S, on Odrey’s VALABA, and on Dada from the Culture Urbaine project Demain c’est nous in March 2023.
And then nothing. From March 2023 to February 2025 the catalogue is empty. Almost two years.
Pas la peine broke the silence on 13 February 2025. Bozela followed in April, On sait in May, and No Diggity in December. Ralenti arrived in June this year, so the run has held.
That shape is worth sitting with. A two-year gap usually ends a career at this level. This one did not, and the four releases since have come at roughly the same clip as the pre-gap years.

What No Diggity Does Differently
The sound sits where the rest of his work sits: autotune carrying the melody, emo rap supplying the mood, contemporary hip-hop holding the floor. Melancholic is the right word for it and that is not a criticism.
The credit line is the change. Look at his ten most-played tracks and the pattern is stark. Five are solo. Four have Demala on them, the collaborator he has kept returning to since 2020. Exactly one has anybody else, and that one is this.
HKL and Hashe are not names that appear anywhere else in his catalogue. Bringing in two new people at once, on the record that also breaks the French-language run, reads as a decision rather than an accident of scheduling.
It is also short. Two minutes fifty-eight leaves no room for a second act, so the hook has to carry it, and the autotune is doing that job rather than decorating around it.


Where He Is Working From, and Who Should Hear It
Brussels. The catalogue is French, the network is Belgian, and his own channels show the working relationships behind it: production, mix and master credited out by name on his posts rather than kept quiet.
The audience is modest and real. Around 2,500 people follow him on Instagram under the handle S.T.O.N.E, a few hundred on Facebook and TikTok, where his bio quotes his own song back at him: tout vivre mais pas mourir.
MusicDrops.News curator team: “The interesting detail is not the autotune, which everyone in this lane uses. It is that a French-language Brussels rapper came back from a two-year silence and, four releases in, made the record that opens the door outward. New collaborators, English title, the same melancholy underneath. That is a deliberate move rather than a drift.”
If Hamza or Damso are already on your playlists, this sits in the territory both of them opened up in Brussels, the autotune-heavy melodic end of francophone rap. Juice WRLD is the reference outside that language, and the melancholy running under Stone’s hooks comes from the same place.
“We’ve been thrilled by the continued reception of ‘no diggity‘ since its release last December,” said Axel Tongotani, representing Stone.
Where to Hear Stone No Diggity
Find him on Apple Music, and keep up with him on Instagram, TikTok, X, Facebook and his YouTube channel.

